The landscape
in the North Dakota plains is a never-ending
steady horizon. In such an environment
one learns to find excitement and inquiry in the slightest variation. For many months of the year the landscape is
frozen -- the only interruption to low snow drifts being the regular linear
patterns of the surrounding farmland. My
continual lines of running stitches and fields of French knots were born out of
inspiration from those windblown spaces.
My work emulates this
peaceful beauty, conveying calmness through
repetition. At times my work has a hint
of storytelling with the use of my intaglio images as pseudo-illustrations for
a kind of narrative when paired with code-like paragraph shapes formed from
hand-embroidery.
I stitch by
hand, using needle and thread – not by machine.
This is the age of instant electronic communication, the age of getting
anything instantly via the internet downloads to your mobile phone. Sustainable tactics in art creation, things
made by the human hand often have the power to promote further human
interaction. I want my work to remind
society that non-mechanized art and imagery is still achievable and still
experiential.
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